Amber Shockey & Co. blue florals collection, plates layered on peony pattern background, stacked to read as a still lifeAmber Shockey & Co. black linework collection, geometric plates on marble surface in charcoal and silver

Amber Shockey & Co.

Tableware pattern design. Built as systems that layer, mix, and scale from single accent to full table.

Field Pattern Design Product Design Colorway Development

Author Jeremy Prasatik Published: 2017 Status: Live

Classification Pattern Design Product Design Colorway Development

Abstract

Tableware patterns built as systems. Each collection runs hero, secondary, accent. Designed to layer from a single dish to a full setting without losing logic.

Three collections shown here: blue florals, black linework, red dragons. Each direction balances structured against organic. Each carries multiple colorways so the same set flexes from minimal to maximal depending on how it pairs.

Built for a tableware startup that needed a system, not a single pattern. Pattern design, product design, and colorway development as one continuous process.

SECTION 02: BLUE FLORALS

Peonies and Geometry.

The most pattern-on-pattern direction. Blue peonies layered against a geometric grid. Plates that read as a still life when set, as a single object when used alone.

Pairs with black linework when the set needs structure. Pairs with red dragons when the table needs heat. The cobalt anchors any combination because every other collection carries cream as the shared ground.

Blue florals peony pattern at wallpaper scale, full repeat tile showing the rhythm of the print
Geometric linework circle pattern in blue and cream, the geometric variant within the blue colorway
Clean blue diamond accent mark on grey-blue, the simplest geometric form in the blue family
SECTION 03: BLACK LINEWORK

Linework and Dots.

The most reductive direction. Geometric grids and halftone density on charcoal. Reads as the most modern of the three. Holds against everything else.

Mixes into any other collection without competing. The graphic flatness lets blue florals or red dragons sit on top of a black linework setting without losing color depth.

Black linework collection, geometric plates on marble surface in charcoal and silver
Black linework collection halftone dot circle on charcoal ground
Black linework collection navy diamond with cross pattern, the structural mark of the family
SECTION 04: RED DRAGONS

Dragons and Florals.

The most ornamental direction. Burgundy dragons curled against floral filigree. Reads as Eastern textile work. The hero piece of the line for buyers who want one statement plate.

Lands well with black linework underneath as a setting. Hard against blue florals; the cobalt and burgundy fight. Pair with the cream pieces in either collection to break the contrast.

Red dragons collection, plates set against dragon pattern backdrop in burgundy and rose
Red dragons hero mark, burgundy dragon mandala in circle on muted rose ground
Red dragons secondary mark, burgundy floral diamond on muted rose ground

A pattern only works if the next one fits.

SECTION 05: MARKS & MATERIALS

A Family of Shapes. A Single System.

Five colors. Four shapes. One rule. The whole line scales out of a small set of decisions made once and held across every direction.

Chromatic brand circle

Cobalt

#1F4D78

Blue florals

Blush

#D87A82

Pink geometry

Burgundy

#8E3F40

Red dragons

Charcoal

#1F2434

Black linework

Cream

#ECE6D5

Shared ground

Brand philosophy

Patterns work as a family. A buyer can start with one accent dish in cobalt and end up with a full red-dragons setting two seasons later. Nothing in the second buy fights anything in the first.

Each collection has a hero shape and a colorway. Peony lives in cobalt. Circle lives in blush. Chinese dragon lives in burgundy. Halftone dot lives in charcoal. Cream runs underneath as the shared ground that lets any two collections sit together without fighting.

Peony Blue florals hero

The largest motif in the line. Layered florals that read as wallpaper at field scale and as a single bloom at plate scale.

Circle Pink geometry hero

Linework circles built on a construction grid. The most reduced form of the geometric language. Carries the colorway when the collection needs an accent without a full pattern.

Chinese Dragon Red dragons hero

Dragons curled around floral filigree, set in a circular mandala. The most ornamental motif. Pulls Eastern textile work into a Western tableware context.

Halftone Dot Black linework hero

Density built from points instead of lines. The most reductive direction in the family. Sits under any other pattern without competing for the surface.

Peony

Blue florals hero

Cobalt · #1F4D78

Circle

Pink geometry hero

Blush · #D87A82

Chinese Dragon

Red dragons hero

Burgundy · #8E3F40

Halftone Dot

Black linework hero

Charcoal · #1F2434

Geometric diamond accent mark with construction grid behind, showing the underlying geometry that holds the system together
SECTION 06: CLOSING

The Set Builds Itself.

Pattern, product, color. Same hands across the system, so each new direction inherits the logic.

Services

Pattern Design

Product Design

Colorway Development

Stack

Illustrator

Photoshop

InDesign

Links

A startup needed patterns that could carry a full tableware line without locking into a single look. The system answers in three marks per collection and shared ground colors across the family. New directions slot in without breaking what came before.

Designing across space and material.

SECTION: PRACTICE

Putting the work first.

It's the part I love most.

Studio Reckon House Multi-disciplinary

Founded 2002 Location: Texas / Anywhere Status: Open for projects

Classification Digital Branding Interiors

Contact hello@reckon.house 214.697.4578 IG @reckonhousestaples

Abstract

The work means a lot of things at once - writing the code that ships an app, picking the marble that goes in a kitchen, art directing a campaign shoot, building a brand voice from scratch, designing the AI tooling that runs marketing operations at enterprise scale. These aren't separate jobs, they're the same job showing up in different rooms.

What makes it work is the no-handoff part. Wireframing and coding happen in the same week. Picking kitchen finishes and coordinating the install happen on the same site visit. The thinking and the making stay close to each other, which is why the disciplines stay connected instead of competing for attention.

DIGITAL EXPERIENCES & SOFTWAREBRANDING & CREATIVE DIRECTIONINTERIORS & FABRICATIONReact / Next.jsTailwindOpenAI APIComputer VisionLLMsFramerWebflowReplit / V0SplineArt DirectionVoice & ToneTypographyColor SystemsAfter EffectsMidjourneyCustom LoRASocial GridsEmail ArchSpace PlanningFF&EMillwork DesignMaterial SelectionOn-site DirectionPop-up / RetailFabricationFull-Stack EngAI IntegrationSystems DesignProduct StrategyRapid PrototypingNo-Code ArchBrand StrategyCreative DirectionVisual Identity3D & MotionGen. ImageryContent SystemsInt. ArchitectureFF&E SourcingCustom FabricationInstallation MgmtExperientialDIGITALBRANDINGINTERIORSRHSRING INDEXDisciplineSkill / PracticeTool / MethodDISCIPLINESDigitalBrandingInteriors

© 2026 Reckon House. Made by Jeremy Prasatik.