J. Christianson tree stripe graphic in storefront window, natural light

J. Christianson

Mid-century warmth without the nostalgia trap. A brand identity built from the name outward, designed to live on a storefront sign and a clothing tag with equal presence.

TL;DR BuiltName, four-circle mark, color system, tree graphic, product applicationsScopeBrand development, naming, logo and graphic designToolsAdobe Illustrator, Adobe PhotoshopAngleOne mark shifts its palette by context without losing recognition. One tree drawing, four colorways, doing the work of a full product line.

Field Brand Development Naming Logo Design Graphic Design

Author Jeremy Prasatik Published: 2019 Status: Complete

Classification Brand Development Naming Logo Design Graphic Design

Abstract

Ground-up brand development for a fashion and home goods label. Started with the name, then built the mark, color system, typography, and product graphics from there.

The logo is four circles in a tight grid - same form, different color combinations depending on where it lives. Brown circles with accent colors for one context, olive circles with the same accents for another. Flexibility was built into the identity from the first sketch, so one mark could shift its palette without losing recognition.

A tree silhouette did the rest of the heavy lifting, rendered in four seasonal colorways and layered over a striped color field pulled from the brand palette. The graphic showed up on apparel, candles, hangtags, and print materials - one drawing doing the work of a full product line.

section 02: the tree

One Drawing Carrying a Full Range.

Where the logo gave the brand recognition, the tree gave it a story - a white silhouette layered over the brand's stripe pattern, breaking out at the edges into white space.

Four colorways - teal and dark green, yellow and gold, orange and rust, brown and earth tones. Same tree and stripe pattern, different palette in each. Branches reach past the color block into white space, breaking the rectangle so the graphic feels drawn rather than placed. Used on apparel, candle labels, hangtags, and promotional print, one drawing earned a full product range.

J. Christianson tree silhouette breaking out of stripe color field
J. Christianson tree stripe graphic with tagline, Heavenly Inspired Fashion and Design
J. Christianson four seasonal tree circles, teal, yellow, orange, brown landscape silhouettes
J. Christianson brand identity on billboard, organic color shapes with four-dot logo
section 03: the mark

A Mark That Shifts Its Palette by Context.

Four circles arranged in a square - tight spacing, no outline, constant form. The colors rotate depending on where the mark appears.

Brown circles with yellow, orange, red, and teal accents in one version. Olive circles with the same accents in another. The accent colors hold position (bottom-right cluster) while the dominant color shifts. Recognition comes from the grid, not the fill. Fewer locked variations meant more places the mark could land without redrawing.

J. Christianson brand pattern, four organic color shapes with logo centered
J. Christianson dot grid pattern, brown with yellow, orange, red, teal accents
J. Christianson dot grid pattern, olive with yellow, orange, red, teal accents
Logo Color Permutations4 positions · 6 colors · 140 arrangements
BROWNOLIVEYELLOWORANGERUSTTEAL
J. Christianson storefront sign mockup, dot grid pattern on wood facade

Type that feels found
rather than designed

J. Christianson outdoor sign mockup, four seasonal tree circles, evening lighting
section 04: closing

From a Name to a Storefront.

A brand built from a blank page. Name, mark, color, graphics, product applications. All developed as one connected set of decisions.

Services

Brand Development

Naming

Logo Design

Graphic Design

Product Applications

Stack

Adobe Illustrator

Adobe Photoshop

Links

Four circles in a grid, a tree silhouette over color stripes, a palette pulled from mid-century earth tones warm enough to feel organic without leaning into the nostalgia. The identity holds from a billboard down to a clothing tag because the elements were built to scale.

The color-shifting logo meant fewer production variants, and the seasonal tree graphic let one illustration cover a full product calendar. Decisions made at the system level so the surface could stay simple.

A design and engineering practice.

section: the practice

Work hands-on with the person who makes the work. Start a brand, an app, a campaign, or a kitchen with a single message.

Studio Reckon House Staples

Founded 2002, based in Texas, working anywhere

Status Open for projects

Classification Digital, Branding, Interiors

Contact hello@reckon.house 214.697.4578 IG @reckonhousestaples LinkedIn /jeremy-prasatik

The range

Projects come in at every stage. Some start from nothing but a name; others arrive as an existing brand, system, or idea to build on. The people range the same way, from founders and marketing teams to contractors and homeowners.

It stays that way on purpose. The client list runs from national retailers to one-room remodels, and the work gets the same attention at both ends.

The chart below maps the practice as one system: the three disciplines, the tools inside each, and the connections between them.

DIGITAL EXPERIENCES & SOFTWAREBRANDING & CREATIVE DIRECTIONINTERIORS & FABRICATIONReact / Next.jsTailwindOpenAI APIComputer VisionLLMsFramerWebflowReplit / V0SplineArt DirectionVoice & ToneTypographyColor SystemsAfter EffectsMidjourneyCustom LoRASocial GridsEmail ArchSpace PlanningFF&EMillwork DesignMaterial SelectionOn-site DirectionPop-up / RetailFabricationFull-Stack EngAI IntegrationSystems DesignProduct StrategyRapid PrototypingNo-Code ArchBrand StrategyCreative DirectionVisual Identity3D & MotionGen. ImageryContent SystemsInt. ArchitectureFF&E SourcingCustom FabricationInstallation MgmtExperientialDIGITALBRANDINGINTERIORSRHSRING INDEXDisciplineSkill / PracticeTool / MethodDISCIPLINESDigitalBrandingInteriors

© 2026 Reckon House. Made by Jeremy Prasatik.