Every project here started the same way: match the energy of something that doesn't exist yet.
Four album covers, four completely different visual languages. Woodgrain collage and halftone geometry for a folk record. Grunge compositing with hand-rendered type for a pop artist. Linework landscapes stacked into depth for an ambient release. A portrait where saturated color carries the entire identity. Each one had to read at vinyl scale and survive as a thumbnail. No shared system between them. That was the requirement.
The poster work follows the same logic. Atmospheric photography against dot-matrix grids. Radial color studies built from pattern. Double-exposure landscapes where texture replaces detail. These aren't decorative. They're compositional problems solved on a deadline.
Logos ranged from ornamental to blunt. Flowing botanical illustration for a fashion collective. Halftone dots and geometric sans for a DJ. A bird on a monogram for a lifestyle brand. The only consistency is that each mark sounds like the client, not the designer.
This is where the visual instincts get built. The range in the commercial work comes from here.

Services
— Graphic Design
— Album Art
— Poster Design
— Logo Design
— Photo Compositing